Giovanni Bellini

Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.


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Giovanni Bellini Madonna with the Child oil


Madonna with the Child
Painting ID::  90596
Madonna with the Child
between 1460(1460) and 1464(1464) Medium Oil on canvas transferred from wood Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cyf
   
   
     

Giovanni Bellini Resurrection of Christ oil


Resurrection of Christ
Painting ID::  90613
Resurrection of Christ
between 1475(1475) and 1479(1479) Medium Oil on panel transferred to canvas Dimensions Height: 148 cm (58.3 in). Width: 128 cm (50.4 in). cyf
   
   
     

Giovanni Bellini Madonna and Child with Two Saints oil


Madonna and Child with Two Saints
Painting ID::  90619
Madonna and Child with Two Saints
1490(1490) Medium oil on panel cyf
1490(1490) _ Medium_oil_on_panel _ cyf
   
   
     

Giovanni Bellini Pesaro Altarpiece oil


Pesaro Altarpiece
Painting ID::  91194
Pesaro Altarpiece
between 1471(1471) and 1474(1474) Medium oil on panel cyf
   
   
     

Giovanni Bellini Pesaro Altarpiece oil


Pesaro Altarpiece
Painting ID::  91195
Pesaro Altarpiece
between 1471(1471) and 1474(1474) Medium oil on panel cyf
   
   
     

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     Giovanni Bellini
     Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.

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