Giovanni Bellini

Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.


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Giovanni Bellini Pesaro Altarpiece oil


Pesaro Altarpiece
Painting ID::  92032
Pesaro Altarpiece
between 1471(1471) and 1474(1474) Medium oil on panel cyf
   
   
     

Giovanni Bellini St Jerome Reading in the Countryside oil


St Jerome Reading in the Countryside
Painting ID::  93658
St Jerome Reading in the Countryside
1505(1505) Medium oil on panel Dimensions Height: 49 cm (19.3 in). Width: 39 cm (15.4 in). cjr
   
   
     

Giovanni Bellini Saints Christopher Jerome and Louis of Toulouse oil


Saints Christopher Jerome and Louis of Toulouse
Painting ID::  94718
Saints Christopher Jerome and Louis of Toulouse
1513 Type Oil on panel Dimensions 300 cm x 185 cm (120 in x 73 in) cyf
   
   
     

Giovanni Bellini La Sacra Famiglia con un santo oil


La Sacra Famiglia con un santo
Painting ID::  96745
La Sacra Famiglia con un santo
Unknown date Medium oil on panel cyf
Unknown_date_ Medium_oil_on_panel_ cyf
   
   
     

Giovanni Bellini La Madonna col Bambino oil


La Madonna col Bambino
Painting ID::  97732
La Madonna col Bambino
oil on panel Dimensions 68 x 54 cm cyf
oil_on_panel_ Dimensions_68_x_54_cm_ cyf
   
   
     

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     Giovanni Bellini
     Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.

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