Giuseppe De Nittis

Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
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Giuseppe De Nittis The Place des Pyramides oil


The Place des Pyramides
Painting ID::  11485 		The Place des Pyramides
1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
   
   
     
Giuseppe De Nittis Field of Snow n.d (nn02) oil


Field of Snow n.d (nn02)
Painting ID::  23110 		Field of Snow n.d (nn02)
Oil on canvas 21 5/8x15"
Oil_on_canvas 21_5/8x15"
   
   
     
Giuseppe De Nittis In the Fields Around London (nn02) oil


In the Fields Around London (nn02)
Painting ID::  23109 		In the Fields Around London (nn02)
Oil on canvas 17 3/4x21 5/8"
Oil_on_canvas 17_3/4x21_5/8"
   
   
     
Giuseppe De Nittis Lake of thte Four Cantons (nn02) oil


Lake of thte Four Cantons (nn02)
Painting ID::  23111 		Lake of thte Four Cantons (nn02)
1875 Oil on canvas 23 5/8x35 1/2"
1875 Oil_on_canvas 23_5/8x35_1/2"
   
   
     
Giuseppe De Nittis Westminster (nn02) oil


Westminster (nn02)
Painting ID::  23112 		Westminster (nn02)
c.1875 Oil on canvas 45 1/4x77 1/2"
c.1875 Oil_on_canvas 45_1/4x77_1/2"
   
   
     
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     Giuseppe De Nittis
     Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,

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