Giuseppe De Nittis

Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
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Giuseppe De Nittis On a Bench on the Champs Elysees (nn02) oil


On a Bench on the Champs Elysees (nn02)
Painting ID::  23113 		On a Bench on the Champs Elysees (nn02)
c.1874 Oil on wood 12 1/4x17 1/8"
c.1874 Oil_on_wood 12_1/4x17_1/8"
   
   
     
Giuseppe De Nittis La Patineuse oil


La Patineuse
Painting ID::  31085 		La Patineuse
mk71 Toile H.0.56 L.0.38 Dunkerque,Musee des Beaux-Arts
   
   
     
Giuseppe De Nittis Breakfast in the Garden oil


Breakfast in the Garden
Painting ID::  54409 		Breakfast in the Garden
mk235 1884 Oil on canvs 81x117cm
mk235 1884 Oil_on_canvs 81x117cm
   
   
     
Giuseppe De Nittis breakfast in the garden oil


breakfast in the garden
Painting ID::  56311 		breakfast in the garden
mk247 1884,oil on canvas,31.875x46.125 in,81x117 cm,pinacoteca giuseppe de nittis,barletta,puglia,ltaly
   
   
     
Giuseppe De Nittis Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy oil


Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy
Painting ID::  74210 		Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy
Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy cjr
   
   
     
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     Giuseppe De Nittis
     Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,

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