Gustav Klimt

Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.


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Gustav Klimt The Virgin (mk20) oil


The Virgin (mk20)
Painting ID::  22487
The Virgin (mk20)
1913 Die Jungfrau Oil on canvas,190 x 200 Narodni Gallery,Prague
   
   
     

Gustav Klimt Portrait of Margaret Stonborough-Wittgenstein (mk20) oil


Portrait of Margaret Stonborough-Wittgenstein (mk20)
Painting ID::  22488
Portrait of Margaret Stonborough-Wittgenstein (mk20)
1905 Bildnis Margaret Stonborough-Wittgenstein Oil on canvas,180 x 90 Bavarian State Collection of Paintings Neue Pinakothek,Munich
   
   
     

Gustav Klimt Portrait of Adele Bloch-Bauer I (mk20) oil


Portrait of Adele Bloch-Bauer I (mk20)
Painting ID::  22489
Portrait of Adele Bloch-Bauer I (mk20)
1907 Bildnis Adele Bloch-Bauer I Oil and gold on canvas,138 x 138 cm Austrian Gallery,Vienna
   
   
     

Gustav Klimt Pattern for the Stoclet Frieze (mk20) oil


Pattern for the Stoclet Frieze (mk20)
Painting ID::  22490
Pattern for the Stoclet Frieze (mk20)
around 1905/06 End wall Austrian Museum of Applied Art,Vienna
   
   
     

Gustav Klimt Expectation,Pattern for the Stoclet Frieze (mk20) oil


Expectation,Pattern for the Stoclet Frieze (mk20)
Painting ID::  22491
Expectation,Pattern for the Stoclet Frieze (mk20)
around 1905/09 Die Erwartung Austrian Museum of Applied Art,Vienna
   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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