Gustave Courbet

1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.


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Gustave Courbet The Edge of the Pool oil


The Edge of the Pool
Painting ID::  72370
The Edge of the Pool
ca. 1867(1867) Oil on canvas 80.6 X 100 cm (31.73 X 39.37 in) cjr
   
   
     

Gustave Courbet Landscape with Waterfall oil


Landscape with Waterfall
Painting ID::  72371
Landscape with Waterfall
"Landscape with Waterfall," oil on canvas, by the French artist Gustave Courbet. 43 in. x 38 3/4 in. x 2 1/2 in. Yale University Art Gallery, gift of Walter Bareiss, B.S. 1940s. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     

Gustave Courbet Hunter on Horseback oil


Hunter on Horseback
Painting ID::  72944
Hunter on Horseback
"Hunter on Horseback," oil on canvas, by the French artist Gustave Courbet, 47 in. x 37 1/2 in. Yale University Art Gallery, gift of J. Watson Webb, B.A. 1907. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     

Gustave Courbet Wave oil


Wave
Painting ID::  72970
Wave
Date ca. 1869(1869) Medium Oil on canvas Dimensions 65.4 X 88.7 cm (25.75 X 34.92 in) cyf
   
   
     

Gustave Courbet The Glen at Ornans oil


The Glen at Ornans
Painting ID::  73012
The Glen at Ornans
"The Glen at Ornans (Bords du Doubs; Effet d'Automne)," oil on canvas, by the French artist Gustave Courbet. 32 in. x 25 3/4 in. x 3/4 in. Yale University Art Gallery, gift of Duncan Phillips, B.A. 1908. Courtesy of Yale University, New Haven, Conn cjr
   
   
     

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     Gustave Courbet
     1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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