Henri De Toulouse-Lautrec

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),


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Henri De Toulouse-Lautrec Reitknecht mit zwei Pferden oil


Reitknecht mit zwei Pferden
Painting ID::  89063
Reitknecht mit zwei Pferden
1880(1880) Medium oil on cardboard Dimensions 32.5 x 23.8 cm (12.8 x 9.4 in) cjr
   
   
     

Henri De Toulouse-Lautrec Woman in the Garden of Monsieur Forest oil


Woman in the Garden of Monsieur Forest
Painting ID::  89073
Woman in the Garden of Monsieur Forest
c. 1889-91 Medium English: oil on canvas Dimensions 55.6 x 46.4 cm (21.9 x 18.3 in) cjr
   
   
     

Henri De Toulouse-Lautrec Im Moulin Rouge, Zwei tanzende Frauen oil


Im Moulin Rouge, Zwei tanzende Frauen
Painting ID::  89520
Im Moulin Rouge, Zwei tanzende Frauen
1892(1892) Medium oil on cardboard Dimensions 93 x 80 cm cjr
   
   
     

Henri De Toulouse-Lautrec Poudre de riz oil


Poudre de riz
Painting ID::  89885
Poudre de riz
1887(1887) Medium oil on canvas cyf
1887(1887) _ Medium_oil_on_canvas _ cyf
   
   
     

Henri De Toulouse-Lautrec Die Bar oil


Die Bar
Painting ID::  90672
Die Bar
1898(1898) Medium oil on cardboard Dimensions 81,5 x 60 cm cjr
   
   
     

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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