Henri De Toulouse-Lautrec

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri De Toulouse-Lautrec Jane Avril Dancing (mk09) oil


Jane Avril Dancing (mk09)
Painting ID::  21463 		Jane Avril Dancing (mk09)
1892 Oil on cardboard,85.5 x 45 cm Paris,Musee d'Orsay
1892 Oil_on_cardboard,85.5_x_45_cm Paris,Musee_d'Orsay
   
   
     
Henri De Toulouse-Lautrec Henry Samary (mk09) oil


Henry Samary (mk09)
Painting ID::  21523 		Henry Samary (mk09)
1889 Oil on cardboard,74.9 x 51.9 cm Paris,Musee d'Orsay
1889 Oil_on_cardboard,74.9_x_51.9_cm Paris,Musee_d'Orsay
   
   
     
Henri De Toulouse-Lautrec Two Women Dancing at the Moulin Rouge (mk09) oil


Two Women Dancing at the Moulin Rouge (mk09)
Painting ID::  21521 		Two Women Dancing at the Moulin Rouge (mk09)
1892 Oil on cardbard,95 x 80 cm Prague,Narodni Galeri
1892 Oil_on_cardbard,95_x_80_cm Prague,Narodni_Galeri
   
   
     
Henri De Toulouse-Lautrec The Clowness Cha-U-Kao (mk09) oil


The Clowness Cha-U-Kao (mk09)
Painting ID::  21525 		The Clowness Cha-U-Kao (mk09)
1895 Oil on cardboard,64 x 49 cm Paris,Musee d'Orsay
1895 Oil_on_cardboard,64_x_49_cm Paris,Musee_d'Orsay
   
   
     
Henri De Toulouse-Lautrec Interior in the Rue des Moulins (mk09) oil


Interior in the Rue des Moulins (mk09)
Painting ID::  21529 		Interior in the Rue des Moulins (mk09)
c 1894 Oil on canvas,111.5 x 132.5 cm.Albi,Musee Toulouse-Lautrec
   
   
     
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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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