Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour White Roses oil


White Roses
Painting ID::  80803 		White Roses
Henri Fantin-Latour (1836-1905); York Art Gallery, York, UK Date 1875(1875) cyf
   
   
     
Henri Fantin-Latour Still Life Glass oil


Still Life Glass
Painting ID::  80969 		Still Life Glass
Date 1871 cyf
Date_1871 _cyf
   
   
     
Henri Fantin-Latour Rosas blancas oil


Rosas blancas
Painting ID::  80981 		Rosas blancas
1887(1887) Medium Oil on canvas Dimensions 55.5 x 70 cm (21.9 x 27.6 in) cyf
   
   
     
Henri Fantin-Latour Vase of Peonies oil


Vase of Peonies
Painting ID::  80982 		Vase of Peonies
1881(1881) Medium Oil on canvas cyf
1881(1881) _ Medium_Oil_on_canvas _ cyf
   
   
     
Henri Fantin-Latour Immortality oil


Immortality
Painting ID::  81057 		Immortality
Date 1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cjr
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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