J.M.W. Turner

English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.
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J.M.W. Turner Ancient Rome; Agrippina Landing with the Ashes of Germanicus oil


Ancient Rome; Agrippina Landing with the Ashes of Germanicus
Painting ID::  10461 		Ancient Rome; Agrippina Landing with the Ashes of Germanicus
1839 Oil on canvas. Tate Gallery,
1839_ Oil_on_canvas._ Tate_Gallery,
   
   
     
J.M.W. Turner Peace - Burial at Sea. oil


Peace - Burial at Sea.
Painting ID::  10462 		Peace - Burial at Sea.
1842. Oil on canvas. Tate Gallery,
1842._ Oil_on_canvas._ Tate_Gallery,
   
   
     
J.M.W. Turner The Dogana, San Giorgio, Citella, From the Steps of the Europa. oil


The Dogana, San Giorgio, Citella, From the Steps of the Europa.
Painting ID::  10463 		The Dogana, San Giorgio, Citella, From the Steps of the Europa.
1842. Oil on canvas. Tate Gallery
1842._ Oil_on_canvas._ Tate_Gallery
   
   
     
J.M.W. Turner Snow Storm - Steam-Boat off Harbour's Mouth oil


Snow Storm - Steam-Boat off Harbour's Mouth
Painting ID::  10464 		Snow Storm - Steam-Boat off Harbour's Mouth
1842 Oil on canvas Tate Gallery,
1842_Oil_on_canvas_ Tate_Gallery,
   
   
     
J.M.W. Turner Light and Colour Morning after the Deluge - Moses Writing the Book of Genesis. oil


Light and Colour Morning after the Deluge - Moses Writing the Book of Genesis.
Painting ID::  10465 		Light and Colour Morning after the Deluge - Moses Writing the Book of Genesis.
1843 Oil on canvas. Tate Gallery
1843_ Oil_on_canvas._ Tate_Gallery
   
   
     
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     J.M.W. Turner
     English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.

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