Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.


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Jean Auguste Dominique Ingres La Baigneuse de Valpincon oil


La Baigneuse de Valpincon
Painting ID::  27801
La Baigneuse de Valpincon
mk62 1808 Huile sur toile 146x98cm Paris,musee du Louvre
   
   
     

Jean Auguste Dominique Ingres The Apotheosis of Homer oil


The Apotheosis of Homer
Painting ID::  39486
The Apotheosis of Homer
mk149 1827
mk149 1827
   
   
     

Jean Auguste Dominique Ingres Odalisque with a Slave oil


Odalisque with a Slave
Painting ID::  40032
Odalisque with a Slave
mk155 1842 75x105.4cm
mk155 1842 75x105.4cm
   
   
     

Jean Auguste Dominique Ingres Little Bather or Inside a Harem oil


Little Bather or Inside a Harem
Painting ID::  40033
Little Bather or Inside a Harem
mk155 1828 Oil on canvas 35x27cm
mk155 1828 Oil_on_canvas 35x27cm
   
   
     

Jean Auguste Dominique Ingres Grande Odalisque oil


Grande Odalisque
Painting ID::  40034
Grande Odalisque
mk155 1814 Oil on canvas 91x162cm
mk155 1814 Oil_on_canvas 91x162cm
   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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