Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Mary oil


Mary
Painting ID::  53184
Mary
mk227 106x84cm 1828
mk227 106x84cm 1828
   
   
     

Jean-Auguste Dominique Ingres Portrait of Duoyifu oil


Portrait of Duoyifu
Painting ID::  53185
Portrait of Duoyifu
mk227 76.5x59.5cm 1807
mk227 76.5x59.5cm 1807
   
   
     

Jean-Auguste Dominique Ingres Portrait of Mali oil


Portrait of Mali
Painting ID::  53186
Portrait of Mali
mk227 1809 Oil on canvas
mk227 1809 Oil_on_canvas
   
   
     

Jean-Auguste Dominique Ingres Portrait of Zaerci oil


Portrait of Zaerci
Painting ID::  53187
Portrait of Zaerci
mk227 90x60cm 1811 Oil on canvas
mk227 90x60cm 1811 Oil_on_canvas
   
   
     

Jean-Auguste Dominique Ingres Yasifu oil


Yasifu
Painting ID::  53188
Yasifu
mk227 55x47cm
mk227 55x47cm
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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