Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Angel oil


Angel
Painting ID::  53284
Angel
mk227 oil on canvas 47x39cm 1819
mk227 oil_on_canvas 47x39cm 1819
   
   
     

Jean-Auguste Dominique Ingres Yidipasi and Sifenkeci oil


Yidipasi and Sifenkeci
Painting ID::  53285
Yidipasi and Sifenkeci
mk227 Oil on canvas 1808
mk227 Oil_on_canvas 1808
   
   
     

Jean-Auguste Dominique Ingres Napoleon oil


Napoleon
Painting ID::  53286
Napoleon
mk227 oil on canvas 260x163cm 1806
mk227 oil_on_canvas 260x163cm 1806
   
   
     

Jean-Auguste Dominique Ingres Caersi oil


Caersi
Painting ID::  53287
Caersi
mk227 Oil on canvas 90x60cm 1811
mk227 Oil_on_canvas 90x60cm 1811
   
   
     

Jean-Auguste Dominique Ingres Pier oil


Pier
Painting ID::  53288
Pier
mk227 99x81cm
mk227 99x81cm
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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