Joachim Beuckelaer

1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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Joachim Beuckelaer Die Eierhandlerin oil


Die Eierhandlerin
Painting ID::  90245 		Die Eierhandlerin
1565(1565) Medium oil on panel Dimensions 126 x 81 cm cjr
   
   
     
Joachim Beuckelaer Kitchen Scene with Meeting on the road to Emmaus oil


Kitchen Scene with Meeting on the road to Emmaus
Painting ID::  90739 		Kitchen Scene with Meeting on the road to Emmaus
c. 1560(1560) - c. 1565(1565) Medium oil on panel Dimensions 109.5 x 169 cm (43.1 x 66.5 in) cjr
   
   
     
Joachim Beuckelaer Die Kochin mit Geflugel oil


Die Kochin mit Geflugel
Painting ID::  91030 		Die Kochin mit Geflugel
oil on panel, 109 x 76 cm Date 16th century cyf
oil_on_panel,_109_x_76_cm _ Date_16th_century _ cyf
   
   
     
Joachim Beuckelaer Vegetable Seller oil


Vegetable Seller
Painting ID::  91318 		Vegetable Seller
second half of 16th century Medium oil on panel Dimensions Height: 111.2 cm (43.8 in). Width: 81.6 cm (32.1 in). cyf
   
   
     
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     Joachim Beuckelaer
     1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.

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