John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse A Tale from the Decameron oil


A Tale from the Decameron
Painting ID::  61598
A Tale from the Decameron
A Tale from the Decameron 1916
A_Tale_from_the_Decameron 1916
   
   
     

John William Waterhouse Miranda oil


Miranda
Painting ID::  61599
Miranda
Miranda -- The Tempest 1916
Miranda_--_The_Tempest 1916
   
   
     

John William Waterhouse Echoandnarcissus oil


Echoandnarcissus
Painting ID::  67446
Echoandnarcissus
Echo and Narcissus. Oil painting.1903
Echo_and_Narcissus._Oil_painting.1903
   
   
     

John William Waterhouse Miranda The Tempest oil


Miranda The Tempest
Painting ID::  69951
Miranda The Tempest
Medium Oil on canvas Dimensions 039.57 ?? 53.94 in
Medium_Oil_on_canvas _ Dimensions_039.57_??_53.94_in
   
   
     

John William Waterhouse The Danaides oil


The Danaides
Painting ID::  70569
The Danaides
1903(1903) Oil on canvas
1903(1903) Oil_on_canvas
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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