John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse I am half sick of shadows said the lady of shalott oil


I am half sick of shadows said the lady of shalott
Painting ID::  70931
I am half sick of shadows said the lady of shalott
John William Waterhouse - I am half-sick of shadows, said the lady of shalott.
   
   
     

John William Waterhouse Shrine oil


Shrine
Painting ID::  70941
Shrine
Medium Oil on canvas Dimensions x cm
Medium_Oil_on_canvas _ Dimensions_x_cm
   
   
     

John William Waterhouse La Fileuse oil


La Fileuse
Painting ID::  71354
La Fileuse
Date 1874
Date_1874
   
   
     

John William Waterhouse Cleopatra oil


Cleopatra
Painting ID::  71947
Cleopatra
1888 Oil on canvas
1888 _ _Oil_on_canvas
   
   
     

John William Waterhouse Animated Miranda oil


Animated Miranda
Painting ID::  72005
Animated Miranda
Animated Miranda
Animated_Miranda
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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