John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse The Missal oil


The Missal
Painting ID::  72484
The Missal
1902 Oil on canvas cjr
1902 _ Oil_on_canvas _ cjr
   
   
     

John William Waterhouse Hylas and the Nymphs oil


Hylas and the Nymphs
Painting ID::  73099
Hylas and the Nymphs
Date 1896 Medium Oil on canvas Dimensions 91cm x 152cm cyf
   
   
     

John William Waterhouse Cleopatra oil


Cleopatra
Painting ID::  73362
Cleopatra
Date 1888 Medium Oil on canvas Dimensions X cm cyf
   
   
     

John William Waterhouse Echo and Narcissus. oil


Echo and Narcissus.
Painting ID::  73666
Echo and Narcissus.
1903(1903) Oil on canvas 109.2 x 189.2 cm cjr
1903(1903) Oil_on_canvas 109.2_x_189.2_cm _ _ cjr
   
   
     

John William Waterhouse Pandora oil


Pandora
Painting ID::  73762
Pandora
Date 1896(1896) Medium Oil on canvas Dimensions 91 X 152 cm (35.83 X 59.84 in) cyf
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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