John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse Magic Circle oil


Magic Circle
Painting ID::  85355
Magic Circle
1886(1886) Medium Oil on canvas cyf
1886(1886) _ Medium_Oil_on_canvas _ cyf
   
   
     

John William Waterhouse The Bouquet oil


The Bouquet
Painting ID::  85435
The Bouquet
oil on canvas, size: 39.5cm x 57cm Date 1908(1908) cjr
   
   
     

John William Waterhouse Gather Ye Rosebuds, or, Ophelia oil


Gather Ye Rosebuds, or, Ophelia
Painting ID::  85695
Gather Ye Rosebuds, or, Ophelia
Date c. 1908(1908) Medium Oil on canvas Dimensions 79 x 57 cm (31.1 x 22.4 in) cjr
   
   
     

John William Waterhouse In the Peristyle oil


In the Peristyle
Painting ID::  85699
In the Peristyle
Oil on canvas, 67 x 52 cm cyf
Oil_on_canvas,_67_x_52_cm cyf
   
   
     

John William Waterhouse Dolce far Niente oil


Dolce far Niente
Painting ID::  86428
Dolce far Niente
1880(1880) Medium Oil on canvas Dimensions 95 x 50 cm (37.4 x 19.7 in) cyf
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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