John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse The Lady of Shalott oil


The Lady of Shalott
Painting ID::  27685
The Lady of Shalott
mk58 1894 oil on canvas 142.2x86.3cm Leeds City Art Gallery
   
   
     

John William Waterhouse Saint Cecilia oil


Saint Cecilia
Painting ID::  27686
Saint Cecilia
mk58 1895 oil on canvas 123.2x200.7cm The Andrew Lloyd Webber Art Foundation
   
   
     

John William Waterhouse Flor and the Zephyrs oil


Flor and the Zephyrs
Painting ID::  27687
Flor and the Zephyrs
mk58 1897 oil on canvas 110x206cm
mk58 1897 oil_on_canvas 110x206cm
   
   
     

John William Waterhouse Flor and the Zephyrs oil


Flor and the Zephyrs
Painting ID::  27688
Flor and the Zephyrs
mk58 c.1896-7 oil on canvas 104.1x203.8cm
mk58 c.1896-7 oil_on_canvas 104.1x203.8cm
   
   
     

John William Waterhouse The Awakening of Adonis oil


The Awakening of Adonis
Painting ID::  27689
The Awakening of Adonis
mk58 1899 oil on canvas 95.9x188cm
mk58 1899 oil_on_canvas 95.9x188cm
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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