John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse A Roman Offering oil


A Roman Offering
Painting ID::  61558
A Roman Offering
A Roman Offering 1890
A_Roman_Offering 1890
   
   
     

John William Waterhouse Circe Offering the Cup to Odysseus oil


Circe Offering the Cup to Odysseus
Painting ID::  61559
Circe Offering the Cup to Odysseus
Circe Offering the Cup to Odysseus 1891
Circe_Offering_the_Cup_to_Odysseus 1891
   
   
     

John William Waterhouse Ulysses and the Sirens oil


Ulysses and the Sirens
Painting ID::  61560
Ulysses and the Sirens
Ulysses and the Sirens 1891
Ulysses_and_the_Sirens 1891
   
   
     

John William Waterhouse Circe Invidiosa oil


Circe Invidiosa
Painting ID::  61561
Circe Invidiosa
Circe Invidiosa 1892
Circe_Invidiosa 1892
   
   
     

John William Waterhouse A Naiad or Hylas with a Nymph oil


A Naiad or Hylas with a Nymph
Painting ID::  61562
A Naiad or Hylas with a Nymph
A Naiad or Hylas with a Nymph 1893
A_Naiad_or_Hylas_with_a_Nymph 1893
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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