John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse Nymphs Finding the Head of Orpheus oil


Nymphs Finding the Head of Orpheus
Painting ID::  61573
Nymphs Finding the Head of Orpheus
Nymphs Finding the Head of Orpheus 1900
Nymphs_Finding_the_Head_of_Orpheus 1900
   
   
     

John William Waterhouse The Mermaid oil


The Mermaid
Painting ID::  61574
The Mermaid
The Mermaid 1901
The_Mermaid 1901
   
   
     

John William Waterhouse The Crystal Ball oil


The Crystal Ball
Painting ID::  61575
The Crystal Ball
The Crystal Ball 1902
The_Crystal_Ball 1902
   
   
     

John William Waterhouse The Missal oil


The Missal
Painting ID::  61576
The Missal
The Missal 1902
The_Missal 1902
   
   
     

John William Waterhouse Windswept oil


Windswept
Painting ID::  61577
Windswept
Windswept 1902
Windswept 1902
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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