John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse Lamia oil


Lamia
Painting ID::  61588
Lamia
Lamia (version 2) 1909
Lamia (version_2) 1909
   
   
     

John William Waterhouse Thisbe oil


Thisbe
Painting ID::  61589
Thisbe
Thisbe 1909
Thisbe 1909
   
   
     

John William Waterhouse Ophelia oil


Ophelia
Painting ID::  61590
Ophelia
Ophelia 1910
Ophelia 1910
   
   
     

John William Waterhouse Spring Spreads One Green Lap of Flowers oil


Spring Spreads One Green Lap of Flowers
Painting ID::  61591
Spring Spreads One Green Lap of Flowers
Spring Spreads One Green Lap of Flowers 1910
Spring_Spreads_One_Green_Lap_of_Flowers 1910
   
   
     

John William Waterhouse The Charmer oil


The Charmer
Painting ID::  61592
The Charmer
The Charmer 1911
The_Charmer 1911
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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