John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse Penelope and the Suitors oil


Penelope and the Suitors
Painting ID::  61593
Penelope and the Suitors
Penelope and the Suitors 1912
Penelope_and_the_Suitors 1912
   
   
     

John William Waterhouse The Annunciation oil


The Annunciation
Painting ID::  61594
The Annunciation
The Annunciation 1914
The_Annunciation 1914
   
   
     

John William Waterhouse Beatrice oil


Beatrice
Painting ID::  61595
Beatrice
Beatrice Circa 1915
Beatrice Circa_1915
   
   
     

John William Waterhouse Dante and Beatrice oil


Dante and Beatrice
Painting ID::  61596
Dante and Beatrice
Dante and Beatrice 1915
Dante_and_Beatrice 1915
   
   
     

John William Waterhouse I am half sick of shadows, oil


I am half sick of shadows,
Painting ID::  61597
I am half sick of shadows,
I am half-sick of shadows, said the Lady of Shalott 1916
I_am_half-sick_of_shadows,_said_the_Lady_of_Shalott 1916
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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