Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich Flowergirl oil


Flowergirl
Painting ID::  88386
Flowergirl
1903(1903) Medium Oil on canvas Dimensions 80 x 100 cm (31.5 x 39.4 in) cjr
   
   
     

Kazimir Malevich Portrait of a Man oil


Portrait of a Man
Painting ID::  90023
Portrait of a Man
1930s Medium oil on canvas Dimensions 54.5 x 49.5 cm (21.5 x 19.5 in) cjr
   
   
     

Kazimir Malevich Boulevard oil


Boulevard
Painting ID::  90371
Boulevard
1903(1903) Medium oil on canvas Dimensions 80 x 66 cm (31.5 x 26 in) cjr
   
   
     

Kazimir Malevich Suprematism oil


Suprematism
Painting ID::  90375
Suprematism
1915(1915) Medium oil on canvas Dimensions 80.5 x 71 cm (31.7 x 28 in) cjr
   
   
     

Kazimir Malevich Two Women in a Gardenr oil


Two Women in a Gardenr
Painting ID::  90377
Two Women in a Gardenr
oil on canvas Dimensions 28 x 21.5 cm (11 x 8.5 in) cjr
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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