MENGS, Anton Raphael

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime
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MENGS, Anton Raphael Glory of St Eusebius oil


Glory of St Eusebius
Painting ID::  29642 		Glory of St Eusebius
1757 Fresco
1757 Fresco
   
   
     
MENGS, Anton Raphael Self-Portrait oil


Self-Portrait
Painting ID::  30060 		Self-Portrait
mk67 pANEL 38 3/16X28 9/16in Uffizi,
mk67 pANEL 38_3/16X28_9/16in Uffizi,
   
   
     
MENGS, Anton Raphael Judgement of Paris oil


Judgement of Paris
Painting ID::  30622 		Judgement of Paris
mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
   
   
     
MENGS, Anton Raphael Portrait of Johann Joachim Winckelman oil


Portrait of Johann Joachim Winckelman
Painting ID::  44069 		Portrait of Johann Joachim Winckelman
1761-62 Oil on canvas, 64 x 49 cm
1761-62 Oil_on_canvas,_ 64_x_49_cm
   
   
     
MENGS, Anton Raphael Portrat eines Architekten oil


Portrat eines Architekten
Painting ID::  79066 		Portrat eines Architekten
1755 Oil on canvas 72 x 59,5 cm cjr
1755 _ Oil_on_canvas _ 72_x_59,5_cm_ cjr
   
   
     
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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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