Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703


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Monamy, Peter The Capture of Louisbourg oil


The Capture of Louisbourg
Painting ID::  44724
The Capture of Louisbourg
mk175 1745 21x38in
mk175 1745 21x38in
   
   
     

Monamy, Peter An English East Indiaman bow view oil


An English East Indiaman bow view
Painting ID::  44725
An English East Indiaman bow view
mk175 39inx32in
mk175 39inx32in
   
   
     

Monamy, Peter The Royal yacht Peregrine arriving in the Thames estuary with King George i aboard in September 1714 oil


The Royal yacht Peregrine arriving in the Thames estuary with King George i aboard in September 1714
Painting ID::  44726
The Royal yacht Peregrine arriving in the Thames estuary with King George i aboard in September 1714
mk175 39x60
mk175 39x60
   
   
     

Monamy, Peter The Royal yacht Royal Caroline in a Storm oil


The Royal yacht Royal Caroline in a Storm
Painting ID::  44727
The Royal yacht Royal Caroline in a Storm
mk175 14x33
mk175 14x33
   
   
     

Monamy, Peter British ships in Lisborn Harbour oil


British ships in Lisborn Harbour
Painting ID::  44728
British ships in Lisborn Harbour
mk175 51x70 1735
mk175 51x70 1735
   
   
     

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     Monamy, Peter
     English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703

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