PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO Pallas Athene af oil


Pallas Athene af
Painting ID::  8455 		Pallas Athene af
c. 1539 Oil on canvas, 63,8 x 45,1 cm Royal Collection, Windsor
   
   
     
PARMIGIANINO Portrait of a Man ag oil


Portrait of a Man ag
Painting ID::  8456 		Portrait of a Man ag
1528-30 Oil on canvas Galleria Borghese, Rome
1528-30 Oil_on_canvas Galleria_Borghese,_Rome
   
   
     
PARMIGIANINO Madonna of t he Long Neck (mk08) oil


Madonna of t he Long Neck (mk08)
Painting ID::  21341 		Madonna of t he Long Neck (mk08)
C.1534-1540 Oil on wood, 216x132cm Florence,Galleria degli Uffizi
   
   
     
PARMIGIANINO Self-Portrait oil


Self-Portrait
Painting ID::  26734 		Self-Portrait
mk52 1523 Oil on wood,diameter 24.4cm Kunsthistorisches Museum,Vienna
   
   
     
PARMIGIANINO Portrait of the Countess of Sansecodo and Three Children oil


Portrait of the Countess of Sansecodo and Three Children
Painting ID::  28117 		Portrait of the Countess of Sansecodo and Three Children
mk61 c.1533-1535 Oil on panel 128x97cm
mk61 c.1533-1535 Oil_on_panel 128x97cm
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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