PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO Madonna of St.Zachary oil


Madonna of St.Zachary
Painting ID::  29880 		Madonna of St.Zachary
mk67 Oil on panel 29 3/4x23 5/8in Uffizi,Gallery
mk67 Oil_on_panel 29_3/4x23_5/8in Uffizi,Gallery
   
   
     
PARMIGIANINO Madonna of the Long Neck oil


Madonna of the Long Neck
Painting ID::  29881 		Madonna of the Long Neck
mk67 Oil on panel 86 1/4x53 1/8in Uffizi,Gallery
mk67 Oil_on_panel 86_1/4x53_1/8in Uffizi,Gallery
   
   
     
PARMIGIANINO Portrait of a Man oil


Portrait of a Man
Painting ID::  29882 		Portrait of a Man
mk67 Oil on panel 34 5/8x23 15/26in Uffizi,Gallery
mk67 Oil_on_panel 34_5/8x23_15/26in Uffizi,Gallery
   
   
     
PARMIGIANINO Portrait of a Young Woman oil


Portrait of a Young Woman
Painting ID::  30488 		Portrait of a Young Woman
mk68 Oil on wood 26 1/2x21" Parma,Nationa Museum C.1530 Italy
   
   
     
PARMIGIANINO Self-portrait in a Convex Mirror oil


Self-portrait in a Convex Mirror
Painting ID::  31364 		Self-portrait in a Convex Mirror
nn07 c. 1524 Oil on wood, diameter 24,4 cm Kunsthistorisches Museum, Vienna
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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