PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO The Conversion of St Paul - Oil on canvas oil


The Conversion of St Paul - Oil on canvas
Painting ID::  63016 		The Conversion of St Paul - Oil on canvas
177,5 x 128,5 cm Kunsthistorisches Museum, Vienna Artist: PARMIGIANINO Painting Title: The Conversion of St Paul , 1501-1550 Painting Style: Italian , , religious
   
   
     
PARMIGIANINO turkish slave girl oil


turkish slave girl
Painting ID::  64228 		turkish slave girl
1530 parma, national gallery
1530 parma,_national_gallery
   
   
     
PARMIGIANINO Mystic Marriage of Saint Catherine oil


Mystic Marriage of Saint Catherine
Painting ID::  70702 		Mystic Marriage of Saint Catherine
Medium Oil on wood Dimensions Expression error: Missing operand for *74.2 ?? 57.2 cm
   
   
     
PARMIGIANINO Madonna with Long Neck oil


Madonna with Long Neck
Painting ID::  76360 		Madonna with Long Neck
1534 - 1540 Oil on panel 216 ?? 132 cm cjr
1534_-_1540 _ _Oil_on_panel _ 216_??_132_cm_ cjr
   
   
     
PARMIGIANINO Pallas Athene oil


Pallas Athene
Painting ID::  76721 		Pallas Athene
c. 1539 Oil on canvas 63,8 x 45,1 cm cjr
c._1539 _ Oil_on_canvas _ 63,8_x_45,1_cm _ cjr
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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