PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO Portrait of a Man oil


Portrait of a Man
Painting ID::  92318 		Portrait of a Man
between 1528(1528) and 1530(1530) Medium oil on panel Dimensions Height: 52 cm (20.5 in). Width: 42 cm (16.5 in). cjr
   
   
     
PARMIGIANINO Bardi Altarpiece oil


Bardi Altarpiece
Painting ID::  94743 		Bardi Altarpiece
1521 Type Tempera on panel Dimensions 203 cm x 130 cm (80 in x 51 in) cyf
   
   
     
PARMIGIANINO Portrait of Galeazzo Sanvitale oil


Portrait of Galeazzo Sanvitale
Painting ID::  94748 		Portrait of Galeazzo Sanvitale
1524 Type Oil on canvas Dimensions 109 cm x 81 cm (43 in x 32 in) cyf
   
   
     
PARMIGIANINO Portrait of Lorenzo Cybo oil


Portrait of Lorenzo Cybo
Painting ID::  94749 		Portrait of Lorenzo Cybo
1524 Type Oil on panel Dimensions 126 cm x 104 cm (50 in x 41 in) cyf
   
   
     
PARMIGIANINO Virgin and Child oil


Virgin and Child
Painting ID::  97279 		Virgin and Child
between 1525(1525) and 1527(1527) Medium oil on panel cyf
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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