PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,


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PERUGINO, Pietro Portrait of Francesco delle Opere oil


Portrait of Francesco delle Opere
Painting ID::  29781
Portrait of Francesco delle Opere
mk67 Oil on panel 20 1/2x17 5/16in Uffizi,Gallery
mk67 Oil_on_panel 20_1/2x17_5/16in Uffizi,Gallery
   
   
     

PERUGINO, Pietro Madonna and Child Enthroned with SS.John the Baptist and Sebastian oil


Madonna and Child Enthroned with SS.John the Baptist and Sebastian
Painting ID::  29784
Madonna and Child Enthroned with SS.John the Baptist and Sebastian
mk67 Ool on panel 70 1/16x64 9/16in
mk67 Ool_on_panel 70_1/16x64_9/16in
   
   
     

PERUGINO, Pietro Mary Magdalen oil


Mary Magdalen
Painting ID::  29785
Mary Magdalen
mk67 Oil on panel 18 1/2x13 3/8in
mk67 Oil_on_panel 18_1/2x13_3/8in
   
   
     

PERUGINO, Pietro Pieta oil


Pieta
Painting ID::  29786
Pieta
mk67 Oil on panel 66 1/8x69 5/16in Uffizi,Gallery
mk67 Oil_on_panel 66_1/8x69_5/16in Uffizi,Gallery
   
   
     

PERUGINO, Pietro The Lamentation over the Dead Christ oil


The Lamentation over the Dead Christ
Painting ID::  29787
The Lamentation over the Dead Christ
mk67 Oil on panel 84 1/4x76 3/4in
mk67 Oil_on_panel 84_1/4x76_3/4in
   
   
     

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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