PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
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PERUGINO, Pietro The Pazzi Crucifixion (detail) af oil


The Pazzi Crucifixion (detail) af
Painting ID::  8506 		The Pazzi Crucifixion (detail) af
1494-96 Fresco S. Maria Maddalena dei Pazzi, Florence
1494-96 Fresco S._Maria_Maddalena_dei_Pazzi,_Florence
   
   
     
PERUGINO, Pietro Pieta af oil


Pieta af
Painting ID::  8507 		Pieta af
1494-95 Oil on panel, 168 x 176 cm Galleria degli Uffizi, Florence
   
   
     
PERUGINO, Pietro Madonna with Saints Adoring the Child a oil


Madonna with Saints Adoring the Child a
Painting ID::  8508 		Madonna with Saints Adoring the Child a
1503 Oil on wood, 87 x 72 cm Pierpont Morgan Library, New York
   
   
     
PERUGINO, Pietro The Family of the Madonna ugt oil


The Family of the Madonna ugt
Painting ID::  8509 		The Family of the Madonna ugt
1500-02 Oil on wood, 296 x 259 cm Mus??e des Beaux-Arts, Marseille
   
   
     
PERUGINO, Pietro Madonna in Glory with the Child and Saints f oil


Madonna in Glory with the Child and Saints f
Painting ID::  8510 		Madonna in Glory with the Child and Saints f
1495-96 Oil on panel, 152 x 124 cm Pinacoteca Nazionale, Bologna
   
   
     
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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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