PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,


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PERUGINO, Pietro St Sebastian sg oil


St Sebastian sg
Painting ID::  8522
St Sebastian sg
Wood, 170 x 117 cm Mus??e du Louvre, Paris
Wood,_170_x_117_cm Mus??e_du_Louvre,_Paris
   
   
     

PERUGINO, Pietro Bust of St. Sebastian sg oil


Bust of St. Sebastian sg
Painting ID::  8523
Bust of St. Sebastian sg
1493-94 Tempera and oil on wood, 53,5 x 39,5 cm The Hermitage, St. Petersburg
   
   
     

PERUGINO, Pietro The Vision of St. Bernard af oil


The Vision of St. Bernard af
Painting ID::  8524
The Vision of St. Bernard af
1493 Oil on wood, 173 x 170 cm Alte Pinakothek, Munich
1493 Oil_on_wood,_173_x_170_cm Alte_Pinakothek,_Munich
   
   
     

PERUGINO, Pietro Baptism of Christ (detail) a oil


Baptism of Christ (detail) a
Painting ID::  8525
Baptism of Christ (detail) a
c. 1482 Fresco Cappella Sistina, Vatican
c._1482 Fresco Cappella_Sistina,_Vatican
   
   
     

PERUGINO, Pietro Baptism of Christ (detail) af oil


Baptism of Christ (detail) af
Painting ID::  8526
Baptism of Christ (detail) af
c. 1482 Fresco Cappella Sistina, Vatican
c._1482 Fresco Cappella_Sistina,_Vatican
   
   
     

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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