PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,


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PERUGINO, Pietro Moses's Journey into Egypt a oil


Moses's Journey into Egypt a
Painting ID::  8527
Moses's Journey into Egypt a
c. 1482 Fresco Cappella Sistina, Vatican
c._1482 Fresco Cappella_Sistina,_Vatican
   
   
     

PERUGINO, Pietro Christ Handing the Keys to St. Peter af oil


Christ Handing the Keys to St. Peter af
Painting ID::  8528
Christ Handing the Keys to St. Peter af
1481-82 Fresco, 335 x 550 cm Cappella Sistina, Vatican
1481-82 Fresco,_335_x_550_cm Cappella_Sistina,_Vatican
   
   
     

PERUGINO, Pietro Christ Handing the Keys to St. Peter (detail) s oil


Christ Handing the Keys to St. Peter (detail) s
Painting ID::  8529
Christ Handing the Keys to St. Peter (detail) s
1481-82 Fresco Cappella Sistina, Vatican
1481-82 Fresco Cappella_Sistina,_Vatican
   
   
     

PERUGINO, Pietro Christ Handing the Keys to St. Peter (detail) a oil


Christ Handing the Keys to St. Peter (detail) a
Painting ID::  8530
Christ Handing the Keys to St. Peter (detail) a
1481-82 Fresco Cappella Sistina, Vatican
1481-82 Fresco Cappella_Sistina,_Vatican
   
   
     

PERUGINO, Pietro Christ Handing the Keys to St. Peter (detail) as oil


Christ Handing the Keys to St. Peter (detail) as
Painting ID::  8531
Christ Handing the Keys to St. Peter (detail) as
1481-82 Fresco Cappella Sistina, Vatican
1481-82 Fresco Cappella_Sistina,_Vatican
   
   
     

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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