PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
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PERUGINO, Pietro Madonna Enthroned with Child and Two Saints oil


Madonna Enthroned with Child and Two Saints
Painting ID::  19835 		Madonna Enthroned with Child and Two Saints
1480 Panel Mus??e du Louvre, Paris.
1480 Panel Mus??e_du_Louvre,_Paris.
   
   
     
PERUGINO, Pietro Christ Giving the Keys to St. Peter oil


Christ Giving the Keys to St. Peter
Painting ID::  19836 		Christ Giving the Keys to St. Peter
1480-81 Fresco Sistine Chapel, Vatican, Rome.
1480-81 Fresco Sistine_Chapel,_Vatican,_Rome.
   
   
     
PERUGINO, Pietro St. Jerome in the Wilderness oil


St. Jerome in the Wilderness
Painting ID::  19837 		St. Jerome in the Wilderness
Approx. 1481-82 panel National Gallery of Art, Washington D.C.
   
   
     
PERUGINO, Pietro The Crucifixion with the Virgin and Saints oil


The Crucifixion with the Virgin and Saints
Painting ID::  19838 		The Crucifixion with the Virgin and Saints
National Gallery of Art, Washington D.C.
National_Gallery_of_Art,_Washington_D.C.
   
   
     
PERUGINO, Pietro The Deposition from the Cross oil


The Deposition from the Cross
Painting ID::  19839 		The Deposition from the Cross
Tempera on panel Gallerie dell'Accademia, Florence.
Tempera_on_panel Gallerie_dell'Accademia,_Florence.
   
   
     
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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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