Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Palma Vecchio Portrait of a Young bride as Flora oil


Portrait of a Young bride as Flora
Painting ID::  43373 		Portrait of a Young bride as Flora
mk170 circa 1520 Oil on wood 80x64cm
mk170 circa_1520 Oil_on_wood 80x64cm
   
   
     
Palma Vecchio Portrait of a Poet oil


Portrait of a Poet
Painting ID::  43374 		Portrait of a Poet
mk170 1515-1520 Oil on canvas 83.8x63.5cm
mk170 1515-1520 Oil_on_canvas 83.8x63.5cm
   
   
     
Palma Vecchio Young Woman in Profile oil


Young Woman in Profile
Painting ID::  74290 		Young Woman in Profile
Date Deutsch: um 1512/1514 Medium Deutsch: Pappelholz Dimensions Deutsch: 49 x 42,4 cm cyf
   
   
     
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     Palma Vecchio
     1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE

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