Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Gonzaga Family Adoring the Trinity (mk01) oil


The Gonzaga Family Adoring the Trinity (mk01)
Painting ID::  20137
The Gonzaga Family Adoring the Trinity (mk01)
1604-5 Oil on canvas; each fragment 185x462cm, 72 7/8x181 7/8in Museo del Palazzo Ducale, Mantua.
   
   
     

Peter Paul Rubens The Wedding at Cane (mk01) oil


The Wedding at Cane (mk01)
Painting ID::  20138
The Wedding at Cane (mk01)
Paolo Veronese, 1562-3 Oil on canvas; 666x990cm 262 1/8x389 3/4in Musee du Louvre,Paris
   
   
     

Peter Paul Rubens St Gregory the Great Surrounded by Otber Saints (mk01) oil


St Gregory the Great Surrounded by Otber Saints (mk01)
Painting ID::  20139
St Gregory the Great Surrounded by Otber Saints (mk01)
1607-8 Oil on canvas; 477x288cm 187 3/4x113 3/8in Musee des Beaux-Arts Grenoble.
   
   
     

Peter Paul Rubens The Virgin and Child Adored by Angels (mk01) oil


The Virgin and Child Adored by Angels (mk01)
Painting ID::  20140
The Virgin and Child Adored by Angels (mk01)
1608 Oil on slate; 425x250cm 167 3/8x98 3/8in Santa Maria in Vallicella, Rome
   
   
     

Peter Paul Rubens Saints Gregory,Maurus and Papianus (mk01) oil


Saints Gregory,Maurus and Papianus (mk01)
Painting ID::  20141
Saints Gregory,Maurus and Papianus (mk01)
1608 Oil on slate; 425x280cm 167 3/8X110 1/4in Santa Maria in Vallicella,Rome
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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