Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Meeting of Marie de'Medici and Henry IV at Lyons (mk01) oil


The Meeting of Marie de'Medici and Henry IV at Lyons (mk01)
Painting ID::  20204
The Meeting of Marie de'Medici and Henry IV at Lyons (mk01)
1622-5 Oil on canvas; 394x295cm 155 1/8x116 1/8in Musee du Louvre,Paris
   
   
     

Peter Paul Rubens The Excbange of Princesses (mk01) oil


The Excbange of Princesses (mk01)
Painting ID::  20205
The Excbange of Princesses (mk01)
1622-5 Oil on canvas; 394x295cm 155 1/8x116 1/8in Musee du Louvre,Paris
   
   
     

Peter Paul Rubens The Battle of the Milvian Bridge,from The Life of Constantine (mk01) oil


The Battle of the Milvian Bridge,from The Life of Constantine (mk01)
Painting ID::  20206
The Battle of the Milvian Bridge,from The Life of Constantine (mk01)
1623-5 Tapestry; 493x738cm 194x290 1/2in Philadelphia Museum of Art
   
   
     

Peter Paul Rubens Philip IV in Brown and Siver (mk01) oil


Philip IV in Brown and Siver (mk01)
Painting ID::  20208
Philip IV in Brown and Siver (mk01)
c.1631-2 Oil on canvas; 199.5x113cm 78 1/2x44 1/2in National Gallery, London
   
   
     

Peter Paul Rubens Charles I in Garter Robes (mk01) oil


Charles I in Garter Robes (mk01)
Painting ID::  20210
Charles I in Garter Robes (mk01)
1636 Oil on canvas; 253.4x153.6cm 99 3/4x60 1/2in Royal Collection, Windsor Castle
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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