Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Minerva Conquering Ignorance (mk01) oil


Minerva Conquering Ignorance (mk01)
Painting ID::  20245
Minerva Conquering Ignorance (mk01)
1632-4 Oil on canvas; Banqueting House, Whitehall, London
   
   
     

Peter Paul Rubens The Union of the Crowns (mk01) oil


The Union of the Crowns (mk01)
Painting ID::  20247
The Union of the Crowns (mk01)
1632-4 Oil on canvas; Banqueting House, Whitehall, London
   
   
     

Peter Paul Rubens The Peaceful Reign of King Fames i (mk01) oil


The Peaceful Reign of King Fames i (mk01)
Painting ID::  20250
The Peaceful Reign of King Fames i (mk01)
1632-4 Oil on canvas; Banqueting House,Whitehall, London
   
   
     

Peter Paul Rubens Peace and Plenty Embracing (mk01) oil


Peace and Plenty Embracing (mk01)
Painting ID::  20257
Peace and Plenty Embracing (mk01)
c.1632-3 Oil sketch for The Peaceful Reign of King Fames i Oil on panel; 62.9x47cm 24 3/4x18 1/2in Yale Center for British Art, New Haven
   
   
     

Peter Paul Rubens Cardinal-Infante Ferdinand (mk01) oil


Cardinal-Infante Ferdinand (mk01)
Painting ID::  20259
Cardinal-Infante Ferdinand (mk01)
C.1636 Oil on canvas; 116x94cm 45 5/8x37in John and Mable Ringling Museum of Art, Sarasota, Florida
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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