Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Paris-dom oil


Paris-dom
Painting ID::  53797
Paris-dom
mk234 1635-38 145x194cm
mk234_ 1635-38_ 145x194cm
   
   
     

Peter Paul Rubens Marchese Brigida Spinola Doria oil


Marchese Brigida Spinola Doria
Painting ID::  53798
Marchese Brigida Spinola Doria
mk234 1606 152x99cm
mk234_ 1606_ 152x99cm
   
   
     

Peter Paul Rubens The Rape of the Daughters of Leucippus oil


The Rape of the Daughters of Leucippus
Painting ID::  55744
The Rape of the Daughters of Leucippus
mk244 c.1618 Oil on canvas 224x210.5cm
mk244 c.1618 Oil_on_canvas 224x210.5cm
   
   
     

Peter Paul Rubens Rubens with his First wife isabella brant in the Honeysuckle bower oil


Rubens with his First wife isabella brant in the Honeysuckle bower
Painting ID::  55773
Rubens with his First wife isabella brant in the Honeysuckle bower
mk244 178x136.5cm Oil on canvas
mk244 178x136.5cm Oil_on_canvas
   
   
     

Peter Paul Rubens descent from the cross oil


descent from the cross
Painting ID::  56048
descent from the cross
mk247 1611 to 14 oil on wood 165x182 in,421x464 cm,cathedral of our lady,antwerp,belgium
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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