Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Bacchanal auf Andros oil


Bacchanal auf Andros
Painting ID::  73257
Bacchanal auf Andros
Date Deutsch: um 1535 English: c. 1535 Medium Oil on canvas Dimensions 200 X 215 cm (78.74 X 84.65 in) cyf
   
   
     

Peter Paul Rubens Gemaldezyklus zum Leben Heinrich des IV. oil


Gemaldezyklus zum Leben Heinrich des IV.
Painting ID::  73337
Gemaldezyklus zum Leben Heinrich des IV.
Gemaldezyklus zum Leben Heinrich des IV. fXr Maria de' Medici, Königin von Frankreich in Paris, Szene: Einzug Heinrichs IV. in Paris, Detail cjr
   
   
     

Peter Paul Rubens Verkundigung Mariae oil


Verkundigung Mariae
Painting ID::  73365
Verkundigung Mariae
Date Deutsch: um 1609 Medium Oil on canvas Dimensions Deutsch: 224 x 200 cm, 68 kg Rahmenmaße: 254 x 230 x 11,5 cm cyf
   
   
     

Peter Paul Rubens Haupt der Medusa oil


Haupt der Medusa
Painting ID::  73378
Haupt der Medusa
Date Deutsch: um 1617/1618 Medium Deutsch: Leinwand Dimensions Deutsch: 68,5 x 118 cm Rahmenmaße: 85,5 x 134,5 x 5,6 cm cyf
   
   
     

Peter Paul Rubens Great Last Judgement by oil


Great Last Judgement by
Painting ID::  73379
Great Last Judgement by
(1577 - 1640), canvas, 608.5 cm x 463.5 cm Date 1617 Current location Munich cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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