Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Mourning over Christ by Mary and John oil


Mourning over Christ by Mary and John
Painting ID::  73641
Mourning over Christ by Mary and John
Date 1614 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 40,5 x 52,5 cm Rahmenmaße: 55,3 x 67,5 x 8,5 cm cyf
   
   
     

Peter Paul Rubens The Martyrdom of St Livinus. oil


The Martyrdom of St Livinus.
Painting ID::  73680
The Martyrdom of St Livinus.
Rubens oil painting: The Martyrdom of St Livinus. Size: 455 x 347 cm. Location: MusXes Royaux des Beaux-Arts, Brussels 1633(1633) cjr
   
   
     

Peter Paul Rubens Praying Hands oil


Praying Hands
Painting ID::  74137
Praying Hands
Oil painting, "Praying Hands" by Peter Paul Rubens (1577?C1640) c.1600 cjr
   
   
     

Peter Paul Rubens Ildefonso altar oil


Ildefonso altar
Painting ID::  74293
Ildefonso altar
Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: Mittelteil: 352 x 236 cm Flegel je: 352 x 109 cm ehem. Flegelaußenseiten: 353 x 233 cm cyf
   
   
     

Peter Paul Rubens Maria erscheint dem Hl oil


Maria erscheint dem Hl
Painting ID::  74295
Maria erscheint dem Hl
English: Ildefonso altar Date Deutsch: um 1630/1632 Medium Deutsch: Eichenholz Dimensions Deutsch: Mittelteil: 352 x 236 cm Flegel je: 352 x 109 cm ehem. Flegelaußenseiten: 353 x 233 cm cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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