Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Praying Hands oil


Praying Hands
Painting ID::  75698
Praying Hands
English: Oil painting, "Praying Hands" by Peter Paul Rubens (1577?C1640) Date c.1600 cyf
   
   
     

Peter Paul Rubens Ildefonso altar oil


Ildefonso altar
Painting ID::  75700
Ildefonso altar
Date Deutsch: um 1630/1632 Medium Deutsch: Eichenholz Dimensions Deutsch: Mittelteil: 352 x 236 cm Fl??gel je: 352 x 109 cm ehem. Fl??gelaußenseiten: 353 x 233 cm cyf
   
   
     

Peter Paul Rubens A 1615-1621 oil on canvas 'Wolf and Fox hunt' painting by Peter Paul Rubens oil


A 1615-1621 oil on canvas 'Wolf and Fox hunt' painting by Peter Paul Rubens
Painting ID::  75831
A 1615-1621 oil on canvas 'Wolf and Fox hunt' painting by Peter Paul Rubens
A 1615-1621 oil on canvas 'Wolf and Fox hunt' painting by Peter Paul Rubens (1577-1640). Now in the Metropolitan Museum of Art, New York, its accession Number is 10.73. cjr
   
   
     

Peter Paul Rubens Der Tod des Decius Mus in der Schlacht oil


Der Tod des Decius Mus in der Schlacht
Painting ID::  76463
Der Tod des Decius Mus in der Schlacht
Date 1618 Medium Oil on canvas Dimensions 288 cm x 497 cm cyf
   
   
     

Peter Paul Rubens Portrait of Albert VII, Archduke of Austria oil


Portrait of Albert VII, Archduke of Austria
Painting ID::  76710
Portrait of Albert VII, Archduke of Austria
from 1615(1615) until 1632(1632) Oil on canvas 200 ?? 118 cm (78.7 ?? 46.5 in) cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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