Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Apollo and Daphne oil


Apollo and Daphne
Painting ID::  82101
Apollo and Daphne
Date ca. 1636(1636) Medium Oil on wood Dimensions 28.5 x 27.5 cm (11.2 x 10.8 in) cjr
   
   
     

Peter Paul Rubens Faun and a young woman oil


Faun and a young woman
Painting ID::  82472
Faun and a young woman
from 1620(1620) until 1625(1625) Medium Oil on canvas Dimensions 102 x 85 cm (40.2 x 33.5 in) cyf
   
   
     

Peter Paul Rubens Pan et Syrinx oil


Pan et Syrinx
Painting ID::  82490
Pan et Syrinx
Date ca. 1636(1636) Medium Oil on wood Dimensions 27.8 x 27.8 cm (10.9 x 10.9 in) cjr
   
   
     

Peter Paul Rubens Stormy Landscape oil


Stormy Landscape
Painting ID::  82583
Stormy Landscape
Date ca. 1625(1625) Medium Oil on wood Dimensions Height: 147 cm (57.9 in). Width: 209 cm (82.3 in). cjr
   
   
     

Peter Paul Rubens Virgin and Child oil


Virgin and Child
Painting ID::  82595
Virgin and Child
Date between 1620(1620) and 1624(1624) Medium Oil on wood Dimensions Height: 65 cm (25.6 in). Width: 48 cm (18.9 in). cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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