Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Four Studies of the Head of a Negro oil


Four Studies of the Head of a Negro
Painting ID::  83144
Four Studies of the Head of a Negro
Date first half of 17th century Medium Oil on canvas transferred from wood Dimensions Height: 51 cm (20.1 in). Width: 66 cm (26 in). cjr
   
   
     

Peter Paul Rubens Peter Paul Rubens oil


Peter Paul Rubens
Painting ID::  83234
Peter Paul Rubens
oil on canvas, 1640 CE. Date 1640(1640) cyf
oil_on_canvas,_1640_CE._ Date_1640(1640) _ cyf
   
   
     

Peter Paul Rubens Gewitterlandschaft mit Philemon und Baucis oil


Gewitterlandschaft mit Philemon und Baucis
Painting ID::  83298
Gewitterlandschaft mit Philemon und Baucis
Date ca. 1630(1630) Medium Oil on wood Dimensions 146 x 208,5 cm cjr
   
   
     

Peter Paul Rubens Bildnis eines Mannes mit goldener Kette oil


Bildnis eines Mannes mit goldener Kette
Painting ID::  83368
Bildnis eines Mannes mit goldener Kette
Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 48,7 x 40 cm cyf
   
   
     

Peter Paul Rubens Portrait of prince Wladyslaw Vasa in Flemish costume. oil


Portrait of prince Wladyslaw Vasa in Flemish costume.
Painting ID::  83424
Portrait of prince Wladyslaw Vasa in Flemish costume.
Date ca. 1624(1624) Medium Oil on canvas Dimensions 116.2 x 85.8 cm (45.7 x 33.8 in) cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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