Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Cupid Riding a Dolphin oil


Cupid Riding a Dolphin
Painting ID::  84130
Cupid Riding a Dolphin
Date 1636(1636) Medium Oil on wood Dimensions Height: 14.5 cm (5.7 in). Width: 13.5 cm (5.3 in). cjr
   
   
     

Peter Paul Rubens Perseus Freeing Andromeda oil


Perseus Freeing Andromeda
Painting ID::  84281
Perseus Freeing Andromeda
Date ca. 1622(1622) Medium Oil on oak panel Dimensions Height: 100 cm (39.4 in). Width: 139 cm (54.7 in). cjr
   
   
     

Peter Paul Rubens Samson and Delilah oil


Samson and Delilah
Painting ID::  84358
Samson and Delilah
1609-1610 Medium English: Oil on wood Dimensions 185 x 205 cm cyf
   
   
     

Peter Paul Rubens Psyche et l Amour endormi oil


Psyche et l Amour endormi
Painting ID::  84381
Psyche et l Amour endormi
Date ca. 1636(1636) Medium Oil on wood Dimensions 26 x 25 cm (10.2 x 9.8 in) cjr
   
   
     

Peter Paul Rubens Venus, Mars and Cupid oil


Venus, Mars and Cupid
Painting ID::  84382
Venus, Mars and Cupid
Medium Oil on canvas Dimensions 195.2 x 133 cm (76.9 x 52.4 in) cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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