Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Elijah and the Angel oil


Elijah and the Angel
Painting ID::  86151
Elijah and the Angel
Date between 1626(1626) and 1628(1628) Medium Oil on wood cjr
   
   
     

Peter Paul Rubens The Israelites Gathering Manna oil


The Israelites Gathering Manna
Painting ID::  86152
The Israelites Gathering Manna
Date between 1626(1626) and 1628(1628) Medium Oil on wood Dimensions 14.5 x 12.5 cm (5.7 x 4.9 in) cjr
   
   
     

Peter Paul Rubens The Flagellation of Christ oil


The Flagellation of Christ
Painting ID::  86210
The Flagellation of Christ
1617(1617) Medium Oil on panel Dimensions 37.4 x 35.1 cm (14.7 x 13.8 in) cyf
   
   
     

Peter Paul Rubens The Prophet Elijah Receives Bread and Water from an Angel oil


The Prophet Elijah Receives Bread and Water from an Angel
Painting ID::  86266
The Prophet Elijah Receives Bread and Water from an Angel
Date between 1626(1626) and 1628(1628) Medium Oil on wood Dimensions 72 x 61.7 cm (28.3 x 24.3 in) cjr
   
   
     

Peter Paul Rubens Portrait of the Marchese Ambrogio Spinola oil


Portrait of the Marchese Ambrogio Spinola
Painting ID::  86302
Portrait of the Marchese Ambrogio Spinola
Date c. 1627(1627) Medium Oil on oak Dimensions 117 x 85 cm (46.1 x 33.5 in) cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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