Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Christ in the House of Martha and Mary 1628 Jan Bruegel the Younger and Peter Paul Rubens oil


Christ in the House of Martha and Mary 1628 Jan Bruegel the Younger and Peter Paul Rubens
Painting ID::  86304
Christ in the House of Martha and Mary 1628 Jan Bruegel the Younger and Peter Paul Rubens
oil on canvas, 1628 cjr
oil_on_canvas,_1628 cjr
   
   
     

Peter Paul Rubens Drunken Silenus oil


Drunken Silenus
Painting ID::  86314
Drunken Silenus
Date 1618(1618) Medium Oil on canvas cjr
Date_1618(1618) _ Medium_Oil_on_canvas _ cjr
   
   
     

Peter Paul Rubens Christ on the Cross oil


Christ on the Cross
Painting ID::  86458
Christ on the Cross
17th century Medium Oil on canvas Dimensions 221 x 121 cm (87 x 47.6 in) cyf
   
   
     

Peter Paul Rubens Pegasus and Chimera oil


Pegasus and Chimera
Painting ID::  86779
Pegasus and Chimera
1635(1635) Medium Oil on wood Dimensions 34 x 27.5 cm (13.4 x 10.8 in) cyf
   
   
     

Peter Paul Rubens Wild Boar Hunt oil


Wild Boar Hunt
Painting ID::  86799
Wild Boar Hunt
1618-1620 Medium Oil on canvas Dimensions 137 x 168 cm (53.9 x 66.1 in) cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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