Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Virgin and Child Enthroned with Saints oil


Virgin and Child Enthroned with Saints
Painting ID::  86823
Virgin and Child Enthroned with Saints
1628(1628) Medium Oil on wood cyf
1628(1628) _ Medium_Oil_on_wood _ cyf
   
   
     

Peter Paul Rubens Equestrian Portrait of the Duke of Lerma oil


Equestrian Portrait of the Duke of Lerma
Painting ID::  86897
Equestrian Portrait of the Duke of Lerma
Date 1603.(1603.) English: Oil on canvas. Dimensions 290,5 cm x 207,5 cm. cjr
   
   
     

Peter Paul Rubens The Entombment oil


The Entombment
Painting ID::  86948
The Entombment
Date between 1611(1611) and 1612(1612) Medium Oil on wood Dimensions Height: 88 cm (34.6 in). Width: 66 cm (26 in). cjr
   
   
     

Peter Paul Rubens Diana and Endymion oil


Diana and Endymion
Painting ID::  87107
Diana and Endymion
1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf
   
   
     

Peter Paul Rubens The Education of Mary oil


The Education of Mary
Painting ID::  87110
The Education of Mary
Oil on canvas Dimensions 194 x 140 cm (76.4 x 55.1 in) cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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