Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens St Augustine oil


St Augustine
Painting ID::  89986
St Augustine
between 1636(1636) and 1638(1638) Medium oil on canvas Dimensions 263 x 175 cm (103.5 x 68.9 in) cyf
   
   
     

Peter Paul Rubens Kreuztragung Christi oil


Kreuztragung Christi
Painting ID::  89992
Kreuztragung Christi
1st half of 17th century Medium oil on canvas cjr
1st_half_of_17th_century_ Medium_oil_on_canvas _ cjr
   
   
     

Peter Paul Rubens Portrat der Maria de Medici, Konigin von Frankreich oil


Portrat der Maria de Medici, Konigin von Frankreich
Painting ID::  90127
Portrat der Maria de Medici, Konigin von Frankreich
1622-1625 Medium oil on canvas Dimensions Deutsch: 130 x 112 cm cjr
   
   
     

Peter Paul Rubens Mucius Scavola vor Porsenna oil


Mucius Scavola vor Porsenna
Painting ID::  90217
Mucius Scavola vor Porsenna
1st half of 17th century Medium oil on canvas Dimensions Deutsch: 45 x 31 cm cjr
   
   
     

Peter Paul Rubens The Hermit and the Sleeping Angelica oil


The Hermit and the Sleeping Angelica
Painting ID::  90286
The Hermit and the Sleeping Angelica
between 1626(1626) and 1628(1628) Medium oil on oak panel cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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